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Joined 3 months ago
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Cake day: March 22nd, 2025

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  • skisnow@lemmy.catomemes@lemmy.worldTotal lie
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    6 hours ago

    There’s a certain amount of discourse in KotH fandom around exactly how all four childhood friends came to buy houses on The Alley behind Rainey Street. Apparently the canon is hazy and inconsistent, though I can’t remember the details.










  • skisnow@lemmy.catomemes@lemmy.worldEngineering decisions
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    16 days ago

    Your life can be so much better if you get over the notion of having to own things. Almost every luxury out there can be enjoyed without having to own it, as long as you’re able to discard the consumerist propaganda that you’ve not enjoyed it properly unless you can take it home.




  • skisnow@lemmy.catomemes@lemmy.worldNot fair
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    19 days ago

    I got into a long debate with someone who wouldn’t accept my claim that pi is 3.

    My reasoning was that 3 is accurate to the number of decimal places it’s quoted to, which is all you ever can say of any given value of pi. Like, pi might not be exactly 3, but it’s not 3.14159265358979323846 either, because both values still have infinity digits missing.







  • I don’t get the hate. If a game is fun to play, then I’d much rather have the option of playing it with better graphics. People ITT are acting like the existence of remasters prevents new games from being made, which I don’t believe is actually the case. The bulk of the work on Oblivion Remastered wasn’t even done by Bethesda developers, but by an external company that specialises in art production.

    I wish they’d do a proper remaster of Might & Magic VI in a modern game engine.


  • skisnow@lemmy.catomemes@lemmy.worldIt's no contest
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    2 months ago

    Glinner is the biggest argument I’ve seen against Death of the Author, because once you know you’re supposed to be laughing at the marginalised character and with the characters mistreating them, it’s impossible to find it funny.

    There’s lots of examples of it too. The first time watching the theatre trip episode where a judge in drag opens the play, I’d read Roy’s discomfort with the show being “too gay” as a joke on Roy being out of his element; we were supposed to laugh at his discomfort. But on rewatching it’s hard to shake the idea that actually Roy’s defence of “I don’t want his sexuality rubbed in my face” is meant as something the audience is supposed to identify and agree with, and that far from being a knowing playful nudge at gay theatre the whole thing was a mean-spirited caricature of it. The meaning does get changed whether Roland Barthes likes it or not.